- Forewordguest-author : Manfred Malzahn
- Contents
- The Structure of Laughter in Shakespeare’s 1 Henry IVguest-author : Paul Innes
- Analysis of the Algerian Novel Fahla (Rabah Sbaa) from a Sociolinguistic Approachguest-author : Nassima Kerras & Moulay Lahssan Baya
- The Cultural and Semantic Problems Encountered in Translating the Arabic Qur’anic- Specific Lexica ”Alkyedالكَيْدُ” in Sūrat Yusuf into Englishguest-author : Ali Albashir Mohammed Alhaj
- Mystical Symbols of Divine Love in the Poetry of Omar Tarin and William Blake: A Comparative Cognitive Analysisguest-author : Amatulhafeez Alvi, Ravichandran Vengadasamy & Melissa Shamini Periasamy
- Addressing the Role of Female Interpreters in Supporting Humanitarian Contextguest-author : Ahmed Mohammed Moneus
- Analyzing Robert Frost’s Statement Writing Free Verse is Like Playing Tennis without a Netguest-author : Suzanne A. Wazzan
- The Image of the Artist in Orhan Pamuk’s My Name is Red and Irving Stone’s The Agony and Ecstasyguest-author : Maha Qahtan Sulaiman
- A Critical Analysis of William Blake’s Short Poems: Depth in Simplicityguest-author : Ghassan Nawaf Jaber Alhomoud
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