Menu
AWEJ for Translation & Literary Studies, Volume 6, Number3. August 2022 Pp. 30-50
English Department
Faculty of Arts, Assiut University
Assiut, Egypt
Elizabeth Bishop is one of the most renowned modern American female poets. Her early life was characterized by some tragic events. However, she overcame all such saddening happenings and established herself as a major twentieth-century American writer. The paper investigates how some of the important topics handled in the author’s poetry can be traced back to her biographical background. The significance of the study is that it brings to light the role played by the tragic incidents in the poet’s life in the formation of her poetic production; which could enable her readers to understand some of her most famous poems better and enjoy them more. The method applied is the Biographical Critical Approach. By applying this approach, the researcher aims to indicate how the poet depended on her memories of actual events which took place in her life to author a number of her well-known poems. The study reaches some significant findings through the analysis of the selected literary texts. The researcher, for instance, draws attention to the way Bishop tackled the idea of death when she encountered it for the first time in her life. Moreover, the effect of the loss of the literary figure’s parents, especially the mother, on the under-discussion literary works is illustrated. Further, the study demonstrates how the writer expressed a lot of wisdom and stoicism in the face of destiny after reaching maturity. The analyzed literary texts evidently immortalize certain tragic events in Bishop’s life.
Mohammed, M.A.A. (2022). The Impact of Elizabeth Bishop’s Tragic Experiences on her Poetry. Arab World English Journal for Translation & Literary Studies 6 (3) 30-50.
DOI: http://dx.doi.org/10.24093/awejtls/vol6no3.3
Anderson, L. (2013). Elizabeth Bishop: Lines of Connection. Edinburgh University Press.
Arditi, N. (2002). In the Bodies of Words: The Swenson-Bishop Conversation. Parnassus: Poetry in Review, 26 (2), 77- 93.
Axelrod, S. G. (2001). Elizabeth Bishop: Nova Scotia in Brazil. Papers on Language & Literature, 37 (3), 279-295.
Benfey, C. (2008). Sing for me, Muse, the Mania. The New Republic,41- 45.
Besner, N. (2000). Elizabeth Bishop, Dona Elizabetchy, and Cookie: Translating the Brazilian Biography of an American Poet. Cadernos de Tradução, 2 (6), 55-65.
Biele, J. (2009). Elizabeth Bishop at the Crossroads of Poetry and Prose. New England Review (1990-), 30 (3), 69-86.
Bishop, E. (1965). Questions of travel, Macmillan E-books.
Bishop, E. (1976). Geography III. Farrar, Straus and Giroux E-books.
Bishop, E. (2011). Poems. Farrar, Straus and Giroux E-books.
Bishop, E. & Quinn, A. (2005). Selections from Edgar Allan Poe & The Juke-Box: A Special APR Supplement. The American Poetry Review, 34 (6), 35-44.
Carson, L. (2004). James Merrill’s Manners and Elizabeth Bishop’s Dismay. Twentieth Century Literature, 50 (2), 167-191.
Cook, E. (2016). Elizabeth Bishop at Work. Harvard University Press.
Costello, B. (2004). A book Review of Rare and Commonplace Flowers: The Story of Elizabeth Bishop and Lota de Macedo Soares. Modernism/Modernity,11 (3), 602-604.
Eastman, A. (2019). ‘Hearing Things’: Voice and Rhyme in the Poems of Elizabeth Bishop. In A. Cleghorn (ed.), Elizabeth Bishop and the Music of Literature (pp. 41-50). Palgrave Macmillan.
Epstein, J. (1995). Elizabeth Bishop: Never a Bridesmaid. The Hudson Review, 48 (1), 34-52.
Fan, K. (2005). Imagined Places: Robinson Crusoe and Elizabeth Bishop. Biography, 28 (1), 43-53.
Fast, R. (1988). A Daughter’s Response: Elizabeth Bishop and Nature. The Journal of the Midwest Modern Language Association, 21 (2), 16-33. Available at https://www.jstor.org/stable/1315364.
Fortuny, K. (2003). Elizabeth Bishop: The Art of Travel. The University Press of Colorado.
Fountain, G., & Brazeau, P. (ed.). (1994). Remembering Elizabeth Bishop: An Oral Biograph. University of Massachusetts Press.
Gill, J. (2020). Elizabeth Bishop’s Pink. The Review of English Studies, 72 (303), 147–168.
Graf, A. (2005). Representing the Other: A Conversation among Mikhail Bakhtin, Elizabeth Bishop, and Wislawa Szymborska. Comparative Literature, 57 (1), 84-99.
Guerin, W. L., Labor, E., Morgan, L. Reesman, J. C. & Willingham, J. R. (2005). A Handbook of Critical Approaches to Literature (5th ed.). Oxford University Press.
Hoff, A. K. (2008). Owning Memory: Elizabeth Bishop’s Authorial Restraint. Biography, 31 (4), 577-594.
Huang, I. (2010). Landscapes, Animals and Human Beings: Elizabeth Bishop’s Poetry and Ecocentrism. Intergrams, 10 (1), 2- 11. Available at http://benz.nchu.edu.tw/~intergrams/intergrams/102-111/102-111-huang.pdf.
Inhoff, M. (2019). This Heaped-up Autobiography’: The Role of Religion in Elizabeth Bishop’s Poetry. In E. Jonathan, (ed.), Reading Elizabeth Bishop an Edinburgh Companion (pp. 90-103). Edinburgh University Press.
Logan, W. (2006). Bishop unfinished. The New Criterion, 4-9.
Millier, B. C. (1993). Elizabeth Bishop: Life and the Memory of It. E-book ed., University of California Press.
Millier, B. C. (1998).The Prodigal: Elizabeth Bishop and Alcohol. Contemporary Literature, 39 (1), 54-76.
Milne, H. (2018). Shannon Maguire’s Myrmurs: An Exploded Sestina and Queer Ecopoetics. ESC, 44 (3), 91–112.
Moody, B. (2021). Nova Scotia Province, Canada. Britannica. Available at https://www.britannica.com/place/Nova-Scotia/People.
Norton, J. R. (2016). The Demeter- Persephone Myth as Writing Ritual in the Lives of Literary Women. Cambridge Scholars Publishing.
O’Grady, B. A. (2021). Nova Scotia Province, Canada. Britannica. Available at https://www.britannica.com/place/Nova-Scotia.
Pickard, Z. (2004). Natural History and Epiphany: Elizabeth Bishop’s Darwin Letter.” Twentieth Century Literature, 50 (3), 268-282.
Pugh, T. & Johnson, M. (2014). Literary Studies: A Practical Guide. Routledge.
Roman, C. (2001). Elizabeth Bishop’s World War II – Cold War View. Palgrave Macmillan.
Sircy, J. (2005). Bishop’s One Art. The Explicator, 63(4), 241-244.
Spaide, C. (2019). Causes for Excess: Elizabeth Bishop’s Eighty-Eight Exclamations. In A. Cleghorn (ed.), Elizabeth Bishop and the Music of Literature (pp. 51-64). Palgrave Macmillan.
Spivack, K. (2005). Conceal/Reveal: Passion and Restraint in the Work of Elizabeth Bishop.” The Massachusetts Review, 46(3), 496-510.
Tóibín, C. (2015). On Elizabeth Bishop. E-book ed., Princeton University Press.
Trousdale, R. (2019). I Take off my Hat”: Elizabeth Bishop’s Comedy of Self-Revelation. In E. Jonathan, (ed.), Reading Elizabeth Bishop: An Edinburgh Companion (pp. 48-58). Edinburgh University Press.
Tyson, L. (2006). Critical Theory Today: A User-friendly Guide. Routledge.
Vendler, H. (2010). Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill. Princeton University Press.
Wilson, J. M. (2017). Elizabeth Bishop and the Poetry of Meditation. Religions, 8 (10), 1-19. Available at https://www.researchgate.net/publication/312299810_Elizabeth_Bishop_and_the_Poetry_of_Meditation
Zeiger, M. (2019). Elizabeth Bishop’s immersion in ‘The Riverman.’ In E. Jonathan (ed.), Reading Elizabeth Bishop an Edinburgh Companion (pp. 77-89). Edinburgh University Press.
Mamdouh Ali Ahmed Mohammed is a lecturer at the English Department, Faculty of Arts, Assiut University, the City of Assiut, Egypt. He has been teaching English Literature for more than 21 years. His minor is English Poetry. His areas of interest are American Poetry, English Poetry, Irish Poetry. He worked on topics related to African-American Poetry, Irish Poetry and Comparative Literature. ORCid ID: https://orcid.org/0000-0003-4736-8139
Copyright © 2023 AWEJ-tls.org. All rights reserved.